| 《神思》篇“虚静”说释义 |
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| 引用本文： | 墨白. 《神思》篇“虚静”说释义[J]. 郑州大学学报(哲学社会科学版), 2002, 35(1): 30-33 |
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| 作者姓名： | 墨白 |
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| 作者单位： | 黑龙江大学文学与新闻传播学院,黑龙江,哈尔滨,150080 |
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| 摘 要： | 《文心雕龙·神思》篇“虚静”的语义本于老庄哲学认识论的虚静说。刘勰以之论述作家创作的艺术想象活动 ,是对老庄神秘的直觉主义审美观的转用。其文学理论意义即在于揭示了作家展开艺术构思活动所应备有的主体条件 :“虚静”就是要求作家临文创作应实现由生活态向审美态的转换 ,排除世俗尘杂而生成审美心胸 ,在由“虚静”心态所拓展的艺境之中 ,凝神结虑 ,驰聘文思 ,从而创造出妙造自然的艺术形象
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| 关 键 词： | 虚静 虚壹而静 物化 直观 |
| 文章编号： | 1001-8204(2002)01-0030-04 |
| 修稿时间： | 2001-09-22 |
Interpretation of "Void and Quiet" in Vivid Imagination by Liu Xie |
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| MO Bai. Interpretation of "Void and Quiet" in Vivid Imagination by Liu Xie[J]. Journal of Zhengzhou University(Philosophy and Social Science Edition), 2002, 35(1): 30-33 |
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| Authors: | MO Bai |
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| Abstract: | The meaning of "Void and Quiet" in Vivid Imagination by Liu Xie is based on the idea of void and quiet in Taoist philosophy, according to which Liu Xie discussed the imagination used by writers in creating their works by drawing on the mysterious intuitionism in the philosophy. In literary theory, the significance of the idea lies in the fact that it reveals the requirement for literary conception: the writer prior to his creation should detach himself from reality and sublimate to the appreciation of beauty so as to create desirable images. |
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| Keywords: | void and quiet materialization direct perception |
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