人文批判的深度和语言艺术的境界

长篇小说《高兴》的高度，不只在于对农民群体在城乡社会真实生存状况的揭示，还在于对他们生命和心灵的感同身受般的关切，在于对盲目“城市化”这种社会文化心理现象的尖锐批判。刘高兴是附着了贾平凹现实体验与人文理想的自觉了自身价值的新型农民形象，从他身上我们看到了历史的进步，也看到了人性的弊病，体制的尴尬，文明的迷失。贾平凹举重若轻的叙事和语言的智慧更使《高兴》进入一个美丽的审美境界。

The Depth of Humanistic Criticism and the Realm of the Art of Words

The significance of the novel Happiness lies in not only the revelation of the real living condition of the group of farmers, the sentimental consideration of their life and mind, and also the sharp criticism of such social cultural psychology as a blind assimilation into the city. A new image of Chinese peasant, Liu Gao-xing, embodies Jia Ping-wa＇s realistic experience and humanities ideal to be aware of self-value, from whom we can see the development of history and humanities ideal to be aware of self-value, from whom we can see the development of history and notice the human weakness, the lost civilization and the awkward social system. Jia Ping-wa has Happiness reach an esthetic realm of perfection by writing a serious theme with a breezy style and witty language.