明刊戏曲散出《周庄子叹骷骸》新探

本文以明刊戏曲选集《摘锦奇音》中选录的《周庄子叹骷骸》为考察对象,通过与明王应遴《逍遥游》杂剧及明、清说唱道情《庄子叹骷髅》分别进行比勘,认为前贤认定的《周庄子叹骷髅》“取自王作”之说不能成立。它实际上是对道情《庄子叹骷髅》的直接移植。该剧在表演中运用了幻术等手段,强调舞台效果,为研究戏曲与曲艺之互动关系提供了新的视角。

New Insights into the Play "Zhou Zhuangzi Tan Kulou" Published In Ming Dynasty

The paper puts in comparison the play Zhou Zhuangzi Tan Kulou included in Zhai Jin Qi Yin, the traditional opera collection published in Ming Dynasty, Zaju Xiao Yao You by Wang Yinglin in Ming Dynasty, and Daoqing Zhuangzi Tan Kulou in Qing Dynasty. After due analysis the paper reaches the conclusion that the opinion of former scholars that Zhou Zhuangzi Tan Kulou is adapted from Wang Yinglin's work is not tenable. In fact, the play is directly adapted from Daoqing Zhuangzi Tan Kulou. Such means as magic are employed in the play to highlight the effects on the stage, thus providing a new perspective to the studies about the interactive relationship between operas and folk performing arts.