| 论王夫之审美意象说与老子美学境界 |
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| 引用本文： | 孙振玉. 论王夫之审美意象说与老子美学境界[J]. 中国石油大学学报(社会科学版), 2005, 21(5): 80-85 |
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| 作者姓名： | 孙振玉 |
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| 作者单位： | 中国人民大学哲学院 北京100872 |
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| 摘 要： | 王夫之诗歌审美意象说包含情景交融论和审美直觉的“现量”论。其意象说的审美意义受道家,特别是老子美学“道法自然”、“大象无形”论的影响。王夫之审美意象说蕴含深邃的价值形而上学色彩。
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| 关 键 词： | 王夫之 老子 现量 道法自然 |
| 文章编号： | 1000-5951(2005)05-0080-(06) |
| 修稿时间： | 2005-05-27 |
On Wang Fuzhi''''s Esthetical Image Theory and Lao Zi''''s Esthetical World |
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| Sun Zhenyu. On Wang Fuzhi''''s Esthetical Image Theory and Lao Zi''''s Esthetical World[J]. Journal of China University Of Petroleum:Edition of Social Sciences, 2005, 21(5): 80-85 |
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| Authors: | Sun Zhenyu |
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| Abstract: | Wang Fuzhi's poetic esthetical image theory covers affection and scene blending,and esthetical instinctive action,showing mete theory.The esthetical meaning of image theory of his esthetical idea is affected deeply by Tao,especially Lao Zi's Tao laws nature' and 'great shape being immaterial'.Therefore,Wang Fuzhi's esthetical image theory profoundly contains a value of metaphysics. |
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| Keywords: | image affection and scene showing mete Tao laws nature |
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