| 论电影文本读解的跨语言性 |
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| 引用本文： | 詹萍萍.论电影文本读解的跨语言性[J].南昌大学学报(人文社会科学版),2010,41(1). |
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| 作者姓名： | 詹萍萍 |
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| 作者单位： | 中国人民大学哲学院,北京,100087 |
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| 摘 要： | 法国电影理论家雷蒙·贝鲁尔认为援引电影文本的书面研究由于跨语言符号系统,两者的转换存在着不可企及的困难,使电影无法成为读解的对象,从而在这个意义上,影片才成为罗兰·巴特所说的具有无限性能指的文本。尽管这个论点具有似是而非的局限,但也印证了建立符合电影文本符号组织法则的阐释学的必要。
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| 关 键 词： | 电影 文本 跨语言性 援引 |
Cross-lingual Feature of Film Interpretation |
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| ZHAN Ping-ping.Cross-lingual Feature of Film Interpretation[J].Journal of Nanchang University(Humanities and Social Sciences),2010,41(1). |
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| Authors: | ZHAN Ping-ping |
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| Institution: | School of Philosophy/a>;Renmin University of China/a>;Beijing 100872/a>;China |
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| Abstract: | From the perspective of reference,Raymond Rubel points out:on the one hand,the film texts possess the infinite signifying function as Barthes'texts;on the other hand,the blank wall in the translation between two symbols and systems makes film analysis unsuitable for close reading.In spite of its limitations,Raymond Rubel's analysis not only provides us a new angle to view film texts,but sets guiding principles for film analysis and critique. |
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| Keywords: | film text the cross-lingual feature reference |
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