首页 | 本学科首页   官方微博 | 高级检索  
     检索      

从《花样年华》看王家卫电影的继承性与发展性
引用本文:申乐莹.从《花样年华》看王家卫电影的继承性与发展性[J].上海大学学报(社会科学版),2002,9(4):72-76.
作者姓名:申乐莹
作者单位:上海大学,影视艺术技术学院,上海,200072
摘    要:王家卫的电影被定位为作者电影,不仅因为王家卫是其电影作品的编者、导者,是影片风格的完整体现者,更因为他的电影有自己的一套可以被清晰辨认的电影符号体系。从《阿飞正传》到《花样年华》,王家卫的7部作品作为一个系列实际上是在其作者风格与个性上的延续和变奏。从母题、时空、叙事、镜头语言、人物特性及商业性等几个层面可以看出王家卫电影符号体系的继承性与发展性。

关 键 词:王家卫  电影  母题  时空  镜头语言
文章编号:1007-6522(2002)04-0072-05
修稿时间:2001年11月9日

scussion on the heritage and Development of the Movies by Wang Jia-wei from His "Flower-Like Age"
SHEN Le-ying.scussion on the heritage and Development of the Movies by Wang Jia-wei from His "Flower-Like Age"[J].Journal of Shanghai University(Social Science Edition),2002,9(4):72-76.
Authors:SHEN Le-ying
Abstract:The films conducted by Wang Jia - wei are called the authors movies. This is not only because Wang Jia - wei is the playwright and conductor as well as the maker of artistic style of his movie, but also because there is a set of distinct movie symbols for his works. From "The True Story of Afei" to "The Flower -Like Age" , a series of his seven movies can be actually regarded as the continuity variation of the individual style and personality of the conductor.
Keywords:Wang Jia-wei  movie  theme  time and space  shot language
本文献已被 CNKI 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号