| 对黑格尔"艺术终结论"的再认识 |
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| 引用本文： | 周才庶.对黑格尔"艺术终结论"的再认识[J].西南农业大学学报(社会科学版),2008,6(5). |
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| 作者姓名： | 周才庶 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | 黑格尔"艺术终结论"是指艺术经历象征型、古典型和浪漫型三个阶段的解体而走向终结,于是在艺术中无法实现的"理念"转移到宗教与哲学领域。艺术在黑格尔的逻辑体系内终结了,而在历史上继续发展,在这个意义上"艺术终结论"是有效的。在黑格尔整体框架之外,"艺术终结论"的局限凸显,并遭遇了零碎化的现代环境的挑战。
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| 关 键 词： | 黑格尔 理念 艺术终结论 现代性 |
Re-consideration of Hegel's "Theory of Art Ending" |
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| ZHOU Cai-shu.Re-consideration of Hegel''s "Theory of Art Ending"[J].Journal of Southwest Agricultural University:Social Science Edition,2008,6(5). |
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| Authors: | ZHOU Cai-shu |
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| Abstract: | Hegel's theory of art ending means that art approached its end after the disintegration in the three stages: symbolic art,classical art and romantic art.As a result,the "ideal" which can't be reached in art was transferred to the fields of religion and philosophy.Art has indeed ended in Hegel's logic system but it keeps developing in history.In this sense,the "theory of art ending" is valid.Out of the Hegel's whole system,the limitations of the "theory of art ending" are striking and encounter the challenges of the fragmentalized modern environment. |
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| Keywords: | Hegel Ideal theory of art ending modernity |
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