| 散曲、小曲与清曲 |
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| 引用本文： | 兰拉成. 散曲、小曲与清曲[J]. 宝鸡文理学院学报(社会科学版), 2008, 28(2): 60-66 |
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| 作者姓名： | 兰拉成 |
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| 作者单位： | 宝鸡文理学院中文系,陕西,宝鸡 721007 |
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| 摘 要： | 散曲、清曲与小曲在明清曲学论著中均被普遍使用。清曲由表演技巧和方法而来,它的范围最广,包括了散曲、小曲及用清唱来表演的剧曲;散曲是相对于剧曲而言的,也与“雅乐”相对,有俗曲之意。小曲范围最小,特指明中叶以来,曲调比较简单的民间歌曲及文人依据此种形式创作的曲子。从文体角度而言,它仍属于散曲。
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| 关 键 词： | 散曲 小曲 清曲 文体概念 |
| 文章编号： | 1008-4193(2008)02-0060-07 |
| 修稿时间： | 2007-10-21 |
Analysis of Qu Scope of Sanqu,Qingqu and Xiaoqu |
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| LAN La-cheng. Analysis of Qu Scope of Sanqu,Qingqu and Xiaoqu[J]. Journal of Baoji College of Arts and Science(Social Science Edition), 2008, 28(2): 60-66 |
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| Authors: | LAN La-cheng |
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| Affiliation: | LAN La- cheng (Chinese Department, Baoj i University o fArts and Sciences, Baoji , Shaanxi 721007) |
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| Abstract: | Sanqu(non-dramatic song) qingqu and xiaoqu were used as a popular concept in the works of the Ming and Qing Dynasties.Qingqu came as the skill and method of singing(in front of an audience),which includes Sanqu,xiaoqu and cantata.Sanqu is a kind of vulgar tune that were used in Chinese classical plays.Xiaoqu is simple tunes and folk songs after the middle stage of Ming Dynasty.From a stylistic point of view,it still belongs to Sanqu. |
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| Keywords: | sanqu qingqu xiaoqu style concept |
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