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意义的寻求还是诗艺的探索——论20世纪30年代梁实秋和梁宗岱的争论
引用本文:郑成志.意义的寻求还是诗艺的探索——论20世纪30年代梁实秋和梁宗岱的争论[J].江汉大学学报(人文科学版),2009,28(2):11-15.
作者姓名:郑成志
作者单位:龙岩学院人文与教育学院,福建,龙岩,364000
摘    要:20世纪30年代,中国新诗坛出现了在当时著名的“二梁之争”。表面上看,梁实秋和梁宗岱的争论是意气之争;但是,在逞才使气的背后,他们的争论是由于各自所秉持的诗歌观念的迥异造成的。“二梁之争”发生在中国新诗从“非诗”走向“本体的诗”、从“散文化”走向“纯诗化”的分歧路口,在中国新诗理论发展史上有其丰富的内涵。

关 键 词:象征主义  非诗  本体的诗  散文化  纯诗化

Apprehension of Meaning or Exploration Into Poetic Expertice
ZHENG Cheng-zhi.Apprehension of Meaning or Exploration Into Poetic Expertice[J].Journal of Wuhan Institute of Education,2009,28(2):11-15.
Authors:ZHENG Cheng-zhi
Institution:ZHENG Cheng-zhi ( School of Humanities and Education, Longyan College,Longyan 364000,China)
Abstract:In 1930s there arose the then well-known the dispute between Liang Shiqiu and Liang Zongdai was “dispute between two Liang' s”. Superficially caused by personal feeling, but virtually it was caused by their entirely different conceptions of poetry. The dispute took place at a time when the new Chinese poetry was at the juncture of two roads leading from "non-poem" to "principle poem" and from "prosaicalization" to "poetic purification". And it had rich connotations in the theoretical development of J new Chinese poetry.
Keywords:symbolism  non-poems  principle poems  prosaicalization  poetic purification
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