| Abstract: | The story of motherhood in popular culture has never been a simple one. Cross-cut by race, class, and sexuality (and, importantly, marital status), interwoven with changing psychological and biological theories and fantasies, tied up with nation-building and citizenship claims, images of motherhood remain both template and signpost upon which we project our desires for kinship and care and our most vexed understandings of womanhood and femininity. This essay examines fictional motherhood in an era of real-life Octomoms and presidential candidates. We argue that a new type of mother has emerged—particularly on TV—that presents a radical departure. From the suburban mom/drug dealer of Showtime's outré series Weeds to the vapid 1960s wife of Mad Men, aberrant mothers abound in contemporary culture. But, unlike aberrant mothers of earlier eras, these mothers are by and large heroines, unapologetically non-normative in their maternal functioning. The parenting is cursory at best and often downright neglectful, behavior that has typically resulted in sure death for Hollywood mothers of earlier eras. We examine these images as a challenge to normative familialism and rigid gender ideologies. |
