| 京剧唱腔与美声唱法的艺术比较 |
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| 引用本文： | 赵玲. 京剧唱腔与美声唱法的艺术比较[J]. 广州大学学报(社会科学版), 2008, 7(11): 71-74 |
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| 作者姓名： | 赵玲 |
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| 作者单位： | 西华师范大学音乐学院,四川,南充,637002 |
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| 摘 要： | 京剧唱腔与关声唱法无论在声音的运用、呼吸的支持、共鸣的搭配上都具有许多共性，但又各具特色。京剧唱腔多依据不同的角色、不同的行当，选择不同的声区、共鸣等，强调人物的个性化。美声唱法则追求声音的上下连贯与统一，追求共鸣腔体的整体运用与比例搭配。
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| 关 键 词： | 京剧 关声 声音 呼吸 共呜 |
On the Comparison between Music for Voices in the Beijing Opera and Bel Canto |
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| ZHAO Ling. On the Comparison between Music for Voices in the Beijing Opera and Bel Canto[J]. Journal of Guangzhou University(Social Science Edition), 2008, 7(11): 71-74 |
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| Authors: | ZHAO Ling |
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| Affiliation: | ZHAO Ling ( Conservatory of Music, West China Normal University, Nanchong, Sichuan, 637002, China) |
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| Abstract: | Music for voices in the Beijing opera and Bel Canto share much commonness in voice utilization,respiratory support and resonant arrangement.Yet,both demonstrate their own distinctive artistic specialties.As a rule,in music for voices in the Beijing opera,the individuality of characters is highly prominent because a certain voice system such as the specific vocal zone and resonance is collocated with a certain role,that is,different roles will adopt different voicing collocation,while Bel Canto pursues the continuity and unity of voice and the integral utilization and the proportional arrangement of resonant cavity. |
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| Keywords: | Beijinging Opera Bel Canto voice respiration resonance |
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