| 中国画色彩谈 |
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| 引用本文： | 吴学峰. 中国画色彩谈[J]. 宁波大学学报(人文科学版), 2003, 16(3): 96-97 |
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| 作者姓名： | 吴学峰 |
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| 作者单位： | 浙江林学院,园林与艺术学院,浙江,临安,311300 |
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| 摘 要： | 中国绘画在色彩观念和表现上具有本民族特有的艺术特点。表现物象时,色彩需根据具体物象而给以具体表现,要求从客观物象本身的固有色出发来设色,而不表现物象由于光线而产生的复杂的色彩变化。中国画的色彩由于其颜色本身的特性,在表现物象上要求达到薄中有厚、浅中有深的效果。中国画色彩浓淡变化是“一色之变化”,色与色之间关系是对比性的调和;色与墨之间要求“色不碍墨,墨不碍色”,达超妙自然之境。
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| 关 键 词： | 中国画 随类赋彩 固有色 中间色 渲染 |
| 文章编号： | 1001-5124(2003)03-0096-02 |
| 修稿时间： | 2003-03-28 |
On the Colors of Chinese Paintings |
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| WU Xue-feng. On the Colors of Chinese Paintings[J]. Journal of Ningbo University(Liberal Arts Edition), 2003, 16(3): 96-97 |
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| Authors: | WU Xue-feng |
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| Affiliation: | WU Xue-feng |
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| Abstract: | The unique feature of traditional Chinese painting in using colors is the representing of the natural colors of the object but not the reproduction of the complicated colors of the object as created by the surroundings. Due to this feature, Chinese painting emphases the unity thickness and thinness of colors and harmony of colors. |
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| Keywords: | Chinese painting natural colors transitional color application of colors |
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