| 略论中国古代喜剧中的崇生主义 |
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| 引用本文： | 张健. 略论中国古代喜剧中的崇生主义[J]. 宁波大学学报(人文科学版), 1994, 0(1) |
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| 作者姓名： | 张健 |
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| 摘 要： | 源于原始巫文化的崇生主义精神是中国传统喜剧的深层底蕴。这种精神先得到先秦儒家的理性认可，而同为原始巫术发展起来的道教则与崇生意识有更直接的联系；至于中国化的佛教禅宗之成为“人间佛教”也是顺应这股生命潜流的结果。这一切，都汇成了中国古代社会生活中普遍蒙泛喜剧因素：戏剧中喜剧成为最先成熟的样式，男女情爱题材、大团圆结局也缘此而多。
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| 关 键 词： | 崇生主义，中国传统文化，喜剧 |
ON LIFE WORSHIP IN ANCIENT CHINESE COMEDY |
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| Zhang Jian. ON LIFE WORSHIP IN ANCIENT CHINESE COMEDY[J]. Journal of Ningbo University(Liberal Arts Edition), 1994, 0(1) |
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| Authors: | Zhang Jian |
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| Abstract: | The spirit of life worship from the primitive magic culture is deeply implied in traditional Chinese comedy.This spirit was first rationally confirmed by confucianists before the Qin Dynasty and it was directly related to Taoism which also originated from primitive magic.The fact that the Zen Buddhism which which nationalized in China was developed into"Worldly Buddhism" shows that it was a result from following this deeply hidden sense of life worshipping .All these combine to form the general factors of pan-comedy in anceint Chiese society. The comedy the first maturely developded type of plays and most or the love stories and happy endings could be accounted for by this spirit |
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| Keywords: | life worship traditional Chinese culture comedy |
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