| 论中国古代清淡诗派的创作审美心态 |
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| 引用本文： | 马自力.论中国古代清淡诗派的创作审美心态[J].北京科技大学学报(社会科学版),2009,25(3):76-80. |
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| 作者姓名： | 马自力 |
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| 作者单位： | 首都师范大学 文学院, 北京 100089 |
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| 摘 要： | 作为悠久绵长的诗歌流派和文学风格,中国古代清淡诗派及其清淡诗风本身蕴含着丰富的美学内容。从趋同和创异的角度看,清淡派成员对本时代文学思潮和美学思潮的取舍与选择,以及他们对待所处时代文学思潮和美学思潮的态度,直接反映了他们的创作审美心态
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| 关 键 词： | 清淡诗派 审美心态 趋同 创异 |
| 收稿时间： | 2009-06-23 |
On the Creative Aesthetic Mentality of the Ancient Chinese Delicate Poet School |
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| MA Zi-li.On the Creative Aesthetic Mentality of the Ancient Chinese Delicate Poet School[J].Journal of University of Science and Technology Beijing(Social Sciences Edition),2009,25(3):76-80. |
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| Authors: | MA Zi-li |
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| Institution: | Capital Normal University, Beijing 100089, China |
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| Abstract: | The ancient Chinese delicate poet school, being one long-lasting poet school and its literature style, contains a lot of aesthetic contents.Secing from the angle of convergence and cretivity, the choice and attitude of these poets to literature thoughts and aesthetic thoughts directly revealed their creative aesthetic mentality. |
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| Keywords: | delicate poet school aesthetic mentality convergence creativity |
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