北朝后期诗歌创作心理的本土认同

北魏分裂后 ,东魏、西魏政权展开其长期的争霸格局。他们立足于所在地的历史 ,为新政权寻求统治的文化基础。这种倾向对关中、邺都的诗歌创作有一定的影响。西魏、北周方面 ,以庾信为代表 ,大量运用周秦汉时期的历史典故 ,特别是西汉时期的人物故事和盛世文明 ,来歌颂关中的新气象。东魏、北齐方面 ,继承了北魏时期洛阳文化的传统 ,上溯魏晋时期的京洛文明 ,并且和邺下士民的生活方式相结合。在大力模仿南方写作的同时 ,企图获得本土文学心理的复苏。周隋统一以后 ,原来的北齐诗人 ,一方面怀恋故国文化 ,另一方面 ,也渐渐认同于自古帝王州的周汉故地的关中文化传统。这种心理 ,对其诗歌风气的转变 ,也产生了一定的影响。

Tendency to Localization of Artistic Mentality in Poetry of Late North Dynasty

After Bei Wei dynasty, there had be an antagonistic situation between Xi Wei and Dong Wei for a long time. Both of them tried to found their respective cultural base according to area history. YU Xin, the most important writer of Xi Wei, collected and quoted many historic material about Changan city, the capital of Zhou Ch'in and Han dynasty, in his poetry. In Dong Wei kingdom, poets looked Luoyang city as their cultural cradle, and succeeded to Wei Jin tradition. After Sui dynasty was founded, poets from Dong Wei began to identify with Changan regime and cultural tradition, even though they showed their grieves for Dong Wei in their poetry. This had a great influence on their artistic mentality.