| 王国维与弗罗斯特:审美距离中体现的出世观与入世观 |
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| 引用本文： | 杨鸿雁. 王国维与弗罗斯特:审美距离中体现的出世观与入世观[J]. 三峡大学学报(人文社会科学版), 2007, 29(5): 46-50 |
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| 作者姓名： | 杨鸿雁 |
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| 作者单位： | 三峡大学,外国语学院,湖北,宜昌,443002 |
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| 摘 要： | 试图通过对美国无冕桂冠诗人罗伯特.弗洛斯特的《雪夜林边停》及我国国学大师王国维的《浣溪沙.山寺微茫背夕曛》这两首诗词中境界的比较,来探询创作过程中这两位诗(词)人与自己作品中意象的不同的审美距离,从而再现带有基督教信仰痕迹的《雪夜林边停》中的入世观及带有道教信仰色彩的《浣溪沙.山寺微茫背夕曛》中的出世观,进而对弗洛斯特与王国维这两位几乎是同时代但却处于不同国度的诗人的尘世理想的差异一窥端倪。
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| 关 键 词： | 境界 审美距离 出世观 入世观 |
| 文章编号： | 1672-6219(2007)05-0046-05 |
| 修稿时间： | 2007-07-10 |
WANG Guo-wei and Frost: Different World Views Embodied in Aesthetic Distances |
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| YANG Hong-yan. WANG Guo-wei and Frost: Different World Views Embodied in Aesthetic Distances[J]. Journal of China Three Gorges University(Humanities & Social Sciences), 2007, 29(5): 46-50 |
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| Authors: | YANG Hong-yan |
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| Abstract: | This thesis aims at a comparative study of the images in the two poems written by American unofficial poet laureate Robert Lee Frost and Chinese classic literary master WANG Guo-wei.By exploring the different aesthetic distances between the poets and the images in their poems the author here is trying to reflect the different attitudes of the two poets toward the worldly affairs.In the poems Frost shows a tint of Christian tolerance but WANG Guo-wei shows a tint of the Taoist retreat. |
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| Keywords: | images aesthetic distance tolerance of the worldly affairs retreat from the worldly affairs |
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