| 论白先勇小说的审美意识 |
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| 引用本文： | 严澜. 论白先勇小说的审美意识[J]. 广东工业大学学报(社会科学版), 2005, 5(4): 68-71 |
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| 作者姓名： | 严澜 |
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| 作者单位： | 江苏无锡电视大学,江苏,无锡,214021 |
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| 摘 要： | 白先勇的小说以深沉的历史厚度与文化内涵而见长,传统文化的内蕴进入他的小说后,呈现出极其炫目的审美色彩,而这一切都是其审美意识的外化,他追求一种浓重的忧患意识,而小说亦因此而呈现出无法化约的感伤色彩,在美学载体上则表现为扑朔迷离的色调的运用。
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| 关 键 词： | 白先勇 小说 审美意识 |
| 文章编号： | 1671-623X(2005)04-0068-04 |
| 修稿时间： | 2005-03-17 |
Aesthetic Consciousness in the Novels by BAI Xian- yong |
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| YAN Lan. Aesthetic Consciousness in the Novels by BAI Xian- yong[J]. Journal of Guangdong University of Technology(Social Sciences Edition), 2005, 5(4): 68-71 |
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| Authors: | YAN Lan |
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| Abstract: | The novels by BAI Xian-yong are characterized by historical tone and cultural connotation. This gives out fantastic aesthetic attraction that becomes the externalized aesthetic consciousness. He seeks a strong consciousness of misery that is reflected as sadness in his novels and is presented as the unperceivable use of tone in the sense of aesthetic carrier. |
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| Keywords: | BAI Xian- yong novels aesthetic consciousness |
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