宋代山水画与词的美学特征

自宋以后,词的审美风格主要呈现为"豪放和婉约"两种类型。豪放雄伟壮丽,婉约清秀优美,其间包含中正在内。与之相似,山水画在宋以后也有"南北宗"的划分,北宗阳刚宏伟,南宗阴柔秀丽。"宗派"来自"禅家",虽不恰当,却得默认,而这二者,就其宏观层面的美学韵味来看,说的是同一个道理。用豪放美与婉约美这对审美范畴,着重讨论宋代山水画的美学特征,并将词评作为评论中国古代山水画的对照面,发掘宋代山水画展现的"豪放美和婉约美"的特质。

Aesthetic Features in the Song Dynasty Landscape Paintings and Song Poems

Since Song Dynasty, the aesthetic style of Song Poems mainly appeared as ＂bold and graceful＂ two types. Bold is magnificent and beautiful. Graceful is beautiful and comely. Similarly, landscape painting in the Song Dynasty had a ＂North-South＂ division; the north part was magnificent, southern part was beautiful. ＂Sectarian＂ was from the ＂Zen＂, although it was not appropriate, but the two is the same on the macroscopic point of view. Using bold beauty and graceful beauty of the aesthetic category, this paper focuses on the aesthetic characteristics of landscape paintings of the Song Dynasty, and will review as the comments of ancient Chinese landscape painting on the surface, explore the character of the landscape paintings of the Song Dynasty ＂bold beauty and graceful beauty＂.