文学场的历史发生与文学现代性

如果从历史的维度来理解布迪厄的文学场理论,我们首先应该考虑布迪厄对文学场的历史发生的理论阐述。就法国文学史而言,这一过程经历了文学场获得自主性、出现双重结构以及生产符号财富三阶段。但文学场并非一个超稳定结构,它面临的内忧是,美学革命的体制化会耗尽它的话语资源;面临的外患是,文学场总是不能摆脱政治、经济资本的操控。但问题是,布迪厄对作为一种普遍性文学建构的文学场的描述是否准确?布迪厄把文学场理论限制在发达国家,那么,它超出欧美之外是否仍然存在一定的阐释效用?事实上,布迪厄本人并没有反思性思考他从属的第一世界的学术位置与他的学术观点之间的语境关联。

Historical Appearance of Literature and Modernity of Literature

If we understand Bourdieu's literary field from a historical perspective, we should give first thought to theoretical interpretation of historical appearance of literature. As far as French literature is concerned, this process undergoes three stages of self - determination, double structures and wealth of productive signs. In fact literature is not stable for aesthetical revolution can exhaust its resources of discourse internally and it can not escape the political influences externally. Bourdieu's theory is available in the developed countries.