| 重构民间性与大众化:延安时期秧歌剧的革新及传播 |
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| 引用本文： | 杨琳.重构民间性与大众化:延安时期秧歌剧的革新及传播[J].兰州大学学报(社会科学版),2008,36(2):60-65. |
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| 作者姓名： | 杨琳 |
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| 作者单位： | 西安交通大学中文系,陕西,西安,710049;兰州大学文学院,甘肃,兰州,730000 |
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| 基金项目： | 国家社会科学基金，陕西省社会科学基金 |
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| 摘 要： | 新秧歌剧运动最大程度地体现了毛泽东<在延安文艺座谈会上的讲话>之后知识分子的民间化走向以及重构文学大众化的文化姿态.民间艺术形式与抗战、革命主题的高度契合,新的话语言说方式与地域文化形态的对接交融,广场演出的大众狂欢传播效应,构成了延安新秧歌的鲜明特征.它不仅为当时的戏剧发展提供了示范和借鉴,也为当下我们所关注的振兴民族戏剧的课题提供了重要的启示.
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| 关 键 词： | 延安秧歌剧 民间性 大众化 重构方式 传播效应 |
| 文章编号： | 1000-2804(2008)02-0060-06 |
| 修稿时间： | 2007年10月9日 |
On the Folk Opera of the Yah'an Period and its Reformation |
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| YANG Lin.On the Folk Opera of the Yah''''an Period and its Reformation[J].Journal of Lanzhor University(Social Sciences),2008,36(2):60-65. |
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| Authors: | YANG Lin |
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| Abstract: | The paper holds that the reformed folk opera of the Yan'an Period fully reflects the Maoist ideology as embodied in the Speech on the Art Forum given by MAO Ze-dong himself,the main focus of the reform being the shift of literary and artistic activities to the very basic levels of society and the vulgarization of all creations.This trend is in agreement with the discourse requirements of the Anti-Japanese War and revolution.The author also believes that the reform waged in Yan'an may also serve as a revelatory message for today's folk opera renewal. |
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| Keywords: | folk opera in Yan'an folk culture popularization reconstruct media effect |
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