| 电影研究的生态美学转型 |
| |
| 引用本文： | 伍先成. 电影研究的生态美学转型[J]. 青海民族学院学报(社会科学版), 2010, 36(3): 127-131 |
| |
| 作者姓名： | 伍先成 |
| |
| 作者单位： | 云南大学,云南昆明,650092 |
| |
| 摘 要： | 在生态美学的视域下,电影艺术具有与生俱来的生态审美性。因为在电影创作和欣赏的过程中,电影艺术有着不同的艺术之境,不断地生发出了依生之美、竞生之美、共生之美,并可望走向整生之美。
|
| 关 键 词： | 生态性本体 生态性创作 生态性欣赏 生态整生美 |
Research into the Ecological Aesthetics of Film Study |
| |
| WU Xian-cheng. Research into the Ecological Aesthetics of Film Study[J]. Journal of Qinghal Nationalities Institute(Social Sciences), 2010, 36(3): 127-131 |
| |
| Authors: | WU Xian-cheng |
| |
| Affiliation: | WU Xian-cheng |
| |
| Abstract: | Study of ecological film,original -ecological film and film ecology is not a study of ecological aesthetics in a sense,but a study related to ecology.Under the vision of ecological aesthetics field,on the bases of logical and historical analysis,the article drew a conclusion that film art is born with the nature of ecological aesthetics,during the course of film creation and appreciation,film art possesses different productive environment, gradually emerged beauty of depended,competitive and coexistent production,and can be hoped to lead to the beauty of whole process. |
| |
| Keywords: | ecological body ecological creation ecological appreciation beauty of whole ecological process |
| 本文献已被 维普 万方数据 等数据库收录！ |
|
