| 试论毛泽东诗词的美学风格特质 |
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| 引用本文： | 严国强.试论毛泽东诗词的美学风格特质[J].江苏教育学院学报,2004,20(2):76-80. |
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| 作者姓名： | 严国强 |
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| 作者单位： | 南京审计学院法学系 江苏南京210029 |
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| 摘 要： | 毛泽东诗词 ,体现了雄奇壮美的主导风格。在表现特定内容的诗词中 ,豪壮与婉转和谐地统一 ,显示出毛诗独有的美学特质。建国初的诗作风格洒脱、飘逸而舒缓 ,显示出雍容自信而又不乏豪迈气概的俊逸风度 ;上个世纪五六十年代的作品 ,表现了一位坚定的马克思主义者大义凛然的原则立场和对敌人的极度蔑视 ,重又呈现雄奇壮美的美学风格特质。
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| 关 键 词： | 毛泽东诗词 美学风格特质 雄奇壮美 |
A Trial Comment on the Aesthetic Idiosyncrasy of Poems by Mao Zedong |
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| Yan Guoqiang.A Trial Comment on the Aesthetic Idiosyncrasy of Poems by Mao Zedong[J].Journal of Jiangsu Institute of Education(Social Science),2004,20(2):76-80. |
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| Authors: | Yan Guoqiang |
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| Abstract: | Poems by Chairman Mao show grand and graceful style, including great imago, magnificent conception, profound philosophy, romantic imagination and so on. But these poems also contain exquisite feelings. In some poems for showing special contents, grand is unified with delicate feelings, showing the special aesthetic idiosyncrasy of poems by Chairman Mao. The poems at the beginning of foundation of China had free, easy and elegant style, representing the grace of self-confidence and heroism. The poems in 1950s and 1960s, when the international current became phantasmagoric, showed attic faith of a Marxian and the defy to the enemy, recurring the aesthetic idiosyncrasy of poems by Chairman Mao. |
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| Keywords: | poems by Mao Zedong the aesthetic idiosyncrasy grand and graceful |
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