民俗文化与宗教相融合之产物“磨喝乐”探讨

＂磨喝乐＂源于古印度佛教中的＂大黑天神＂,唐代前后随着佛教在中国大面积流布而渗入中原,并与中国的民俗文化相融合,逐渐演化成具有浓厚民俗色彩的文化模式和独特风格的民间美术样式。随着信仰观念的多元化,偶像崇拜的游戏化,＂磨喝乐＂的商品化等因素的产生,两宋时期非常兴盛,并且一直持续到元代晚期。其形象通常是用土、木、玉,石等材料制作的儿童模样的偶人。最初用于＂七夕＂节的供奉崇拜,宋以后成为玩偶和饰品。因其具有丰富的民俗文化内涵及鲜明的艺术造型与审美属性,使它在民俗学、社会学、美术史学及其他相关学科的研究中有着重要的价值。

Study on the "Mayoraga" From the Fusion of Folk Culture and Religion

Mayoraga stems from Mahakala of ancient Indian Buddhism.Round about the Tang Dynasty,it was permeated in Central China Plains along with a large area dissemination of Buddhism in China,and the fusion of Mayoraga and Chinese folk culture developed gradually into a unique type of civilization model with marked folkway color and folk art style.With the production of a lot of factors such as the diversification of belief sense,gamization of idolatry and commoditization of Mayoraga,it was very prosperous in the ...