| 诗意的内蕴与理性的光彩——《小城之春》与《廊桥遗梦》比较分析 |
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| 引用本文： | 罗锋,LUO Feng.诗意的内蕴与理性的光彩——《小城之春》与《廊桥遗梦》比较分析[J].重庆邮电学院学报(社会科学版),2007,19(5):105-109. |
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| 作者姓名： | 罗锋 LUO Feng |
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| 作者单位： | 安徽大学新闻传播学院 安徽合肥230039 |
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| 摘 要： | 以《小城之春》、《廊桥遗梦》为范本，对两部影片的叙事风格、影片“镜”语的象征意义、人物造型及其性格特征进行了阐述，着重探讨其中各自成趣的审美追求，力图从中西文化维度出发来解释主人公相似经历背后尚存差异的文化与思想背景，即均“发乎情”，然《小城之春》片“止乎于礼”，而《廊桥遗梦》片“止乎于理”；但影片本身蕴育的哲理精神与审美内涵分别将两部影片推到一个新的历史高度。
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| 关 键 词： | 叙事风格 审美追求 象征 文化 |
Poetic Intention and Rational Splendor: A Comparative Study Between The Spring of the Small City and The Bridges of Madison County |
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| LUO Feng.Poetic Intention and Rational Splendor: A Comparative Study Between The Spring of the Small City and The Bridges of Madison County[J].Journal of Chongqing University of Posts and Telecommunications(Social Science Edition),2007,19(5):105-109. |
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| Authors: | LUO Feng |
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| Institution: | LUO Feng (School of Journalism and Communication, Anhui University, Hefei 230039, China) |
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| Abstract: | This paper selected The Spring of the Small City and The Bridges of Madison County as models to interpret the narrative style,symbolic meaning of "picture",figures and their characteristics,and discussed the aesthetical pursuit among them emphatically.It tries to explain the different cultural background of the characters behind their similar experience from Chinese and Western cultural dimension,namely "origin from feeling".However,The Spring of the Small City stops on feudal ethical ideas,and The Bridges of Madison County stops on ration.And their philosophic spirit and aesthetic intension push them to a new historical height separately. |
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| Keywords: | narrative style aesthetical pursuit symbol culture |
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