| 小品文的审美价值及其在晚明的发展 |
| |
| 引用本文： | 罗筠筠.小品文的审美价值及其在晚明的发展[J].文史哲,2003,3(2):134-139. |
| |
| 作者姓名： | 罗筠筠 |
| |
| 作者单位： | 中山大学,哲学系,广东,广州,510275 |
| |
| 摘 要： | 晚明学者借用佛教中“小品”一词命名篇幅短小的艺术性散文 ,他们不仅在小品文的创作上取得了杰出成就 ,将其发展为与汉赋、唐诗、宋词、元曲相提并论的明代文学成就的标志 ,且总结出小品文与正统文学在写作动机上的“一饷之欢”与“千秋之志”的区别 ,在创作目的上“自娱娱人”与“明教载道”的不同 ,并指出其小中见大、寸瑜胜尺瑕的审美特点。
|
| 关 键 词： | 小品 晚明 审美 娱乐 |
| 文章编号： | 0511-4721(2003)02-0134-06 |
| 修稿时间： | 2002年9月10日 |
The Aesthetical value of Familiar Essay and Its Development in Late Ming Dynasty |
| |
| LUO Yun,yun.The Aesthetical value of Familiar Essay and Its Development in Late Ming Dynasty[J].Journal of Literature,History and Philosophy,2003,3(2):134-139. |
| |
| Authors: | LUO Yun yun |
| |
| Abstract: | By referring "Xiaopin" as short artistic essays, scholars in Late Ming Dynasty not only made outstanding achievements in the production of familiar essays, developing it into a literary symbol of the Ming Dynasty, but also pointed out the differences between familiar essay and orthodox literature in motives and purposes of literary creation as well as the aesthetical characteristics of familiar essay. |
| |
| Keywords: | Familiar essay Late Ming Dynasty Aesthetics Recreation |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
