桐城诗学的一记绝唱——论《晚清四十家诗钞》的宗杜取向

吴闿生编撰的《晚清四十家诗钞》前二卷专录桐城诗派后期诸子的诗作,凸显了桐城派北传之后围绕吴汝纶渐次形成的"冀州—莲池"诗人群体组合,而其诗学批评在继承桐城诗派"诗文一体"、"熔铸唐宋"的基础上,突出了宗风杜甫的祈向,尤其注重涵容雄奇诗风,反映出时代风云之气在内心深处的激荡。

Discussion on the Aesthetics Orientation for Canonizing Du Fu Poetry in an Anthology of Forty Poets in the Late Qing Dynasty

The first two volumes of WU Kai-sheng's An Anthology of Forty Poets in the Late Qing Dynasty have specially collected poetry which belong to Tongcheng School in the late period for revealing the Jizhou-Liangchi poets group represented by WU Ru-lun which have grandly shaped after Tongcheng School moved north.But its poem criticism has highlighted on Du Fu's poetry and paid great attention to the bold and unconstrained style which reflected feature of epoch surging in the depth of the heart of poet based on the inherited theory system of amalgamation of poem and prose and absorbed different theory of Tang and Song Dyasties.