《文心雕龙》与中国文论话语体系

《文心雕龙》研究已经有了230余种专著和3000多篇论文,形成一门较为系统的学科:"龙学"。然而,准确把握《文心雕龙》这一独特的中国文论话语体系,仍是一件十分艰难的工作和未完成的任务;在此基础上进一步认识《文心雕龙》之于中国文论话语体系的关系和意义,不仅是"龙学"进一步发展的迫切要求,更是中国古代文论研究取得突破性进展的一个关键。站在魏晋南北朝"为艺术而艺术"之时代的制高点上,刘勰遍搜"文场笔苑"而建构起一个"以情为本,文辞尽情"的文论话语体系,以此形成了"神用象通,心物交融"的创作论话语中心和"风清骨峻,即体成势"的审美理想。这一"言为文之用心"的"情本"论的话语系统,使《文心雕龙》集中而典型地展现出中国文艺理论和文艺美学之独特的话语风貌,成为中国文论和美学的话语之本和理论之源。这是《文心雕龙》受到越来越多的中外研究者的关注,并因而形成所谓"龙学"的原因所在,更是"龙学"具有强大生命力之根本。

Literary Heart Carving Dragons and China Words System of Literary Argument

Literary Heart Carving Dragons has become a systematic subject calledDragon-ology with over 230 monographs and 3000 articles on it existing.Tounderstand the book further is the key to the break point of the studies ofliterary argument in ancient China.At the high point of "art for art's sake"in the era of Wei,Jin,Northern and Southern Dynasties,Liu Xie had searched allover the literary circles and constructed a words system of literary argument of "literature should be based on feelings and to the utmost of feelings",andformed "things are interlinked in spirit and spirit and objects are integrated"as the core of the system and "the genre itself shows the framework with itsappearance pure and upright" as his ideal of aesthetics,and that has madeLiterary Heart Carving Dragons intensely and typically indicate the unique wordsfeatures of China theory of literature and art and aesthetics of literature andart.This is the reason why the so-called Dragon-ology has come into being and hasits mighty vitality.