| 略论嵇康的音乐美学思想 |
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| 引用本文： | 王跃辉,王北海.略论嵇康的音乐美学思想[J].中南林业科技大学学报(社会科学版),2007,1(3):131-132. |
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| 作者姓名： | 王跃辉 王北海 |
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| 作者单位： | 1. 湖南师范大学音乐学院,湖南,长沙,410007;中南林业科技大学,湖南,长沙,410004
2. 湖南师范大学音乐学院,湖南,长沙,410007 |
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| 摘 要： | 嵇康是我国历史上一位重要的音乐家,以往学者对其研究较多。本文试图通过对嵇康玄学音乐美学思想与以《乐记》为代表的儒家美学思想的比较研究,进一步认识嵇康美学思想的深刻性和独特性。
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| 关 键 词： | 嵇康 美学 玄学 音乐美学思想 儒家美学思想 |
| 文章编号： | 1673-9272(2007)03-0131-02 |
| 修稿时间： | 2007年8月20日 |
On the Aesthetic Ideaology in Jikang's Music |
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| WANG Yue-hui,WANG Bei-hai.On the Aesthetic Ideaology in Jikang''''s Music[J].Journal of Central South University of Forestry & Technology(Social Sciences),2007,1(3):131-132. |
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| Authors: | WANG Yue-hui WANG Bei-hai |
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| Abstract: | Jikang is an important musician in China's history and many studies are made about him.By comparing the aesthetic ideaology in his music and the Confucian aesthetics in On Music,the representative work,this essay tries to explore the significant and unique elements in Jikang's aesthetics in order to make some contribution to the aesthetic study in contemporary music. |
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| Keywords: | Jikang aesthetics metaphysics music aesthetic thought Confucian aesthetic thought |
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