| 加达默尔美学思想的美学史意义 |
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| 引用本文： | 李鲁宁.加达默尔美学思想的美学史意义[J].山东大学学报(哲学社会科学版),2000(3):1-6. |
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| 作者姓名： | 李鲁宁 |
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| 作者单位： | 山东大学文学院,山东,济南,250100 |
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| 摘 要： | 在20世纪西方的非理性大潮中,加达默尔的解释学美学思想捍卫了美与真、艺术与认识的本真关联,在摹仿论的基础上力图统一传统艺术与现代艺术,独创性地阐明了艺术作品的存在方式,从意义理论出发开启了艺术接受研究,所有这些都可说是对20世纪西方美学的丰富和发展。加达默尔美学思想的局限除了其存在论的哲学基础之外,其美学辩证法也是不彻底的,走向了“恶无限”,其语言论探索过于夸大语言的威力,最终陷入了哈贝马斯批判的“语言唯心主义”之中。
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| 关 键 词： | 加达默尔 解释学 美学 |
| 文章编号： | 1001-9839(2000)03-0001-06 |
| 修稿时间： | 1999年5月28日 |
The Significance of Gadamer's Aesthetic Thoughts in the History of Aesthetics |
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| LI Luning.The Significance of Gadamer's Aesthetic Thoughts in the History of Aesthetics[J].Journal of Shandong University(Philosophy and Social Sciences),2000(3):1-6. |
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| Authors: | LI Luning |
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| Abstract: | Cadamer's hermeneutical aesthetic thoughts, in western irrational trend in the 20th centu- ry,safeguarded the genuine relations between beauty and truth and between art and cognition. On the basis of imitative theory, he tried to unite traditional art and modern art, and he originally inter- preted the existent mode of art works. At the same time he initiated the reception study from meaning theory. All such exploration proved to be that Gadamer 's aesthetic thoughts enriched and developed western aesthetics. Besides the philosophical basis of ontology, localization in Gadamer's thoughts includes unfinished aesthetic dialectic, "bad infinity", and "language mantalism". |
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| Keywords: | Gadamer Himeneutics Aesthetics |
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