| 结构魔方与审美狂喜——纳博科夫《劳拉原型》的“元小说”艺术特征 |
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| 引用本文： | 谭惠娟.结构魔方与审美狂喜——纳博科夫《劳拉原型》的“元小说”艺术特征[J].浙江社会科学,2011(9). |
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| 作者姓名： | 谭惠娟 |
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| 作者单位： | 浙江大学外国语言文化及国际交流学院; |
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| 摘 要： | 纳博科夫的《洛丽塔》、《微暗的火》和《阿达》等主要作品均带有后现代主义文学的元小说特征,其遗作《劳拉原型》更将元小说的创作技巧及特征展现得淋漓尽致。本文结合德勒兹的元评论、罗兰.巴尔特的元语言理论,并联系纳博科夫的其它作品,从《劳拉原型》的小说结构、主题情节和语言特点等方面来探讨其元小说特征。笔者认为,纳博科夫试图通过他的最后一部文学作品告诉读者,天才作家通过构建虚构小说来阐述自己的小说观;带有元评论和元语言特点的元小说才是真正意义上的小说创作,它摆脱了一切束缚;而他本人构建的元小说就是最精彩最独特的文学作品,无论是主题还是结构。
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| 关 键 词： | 纳博科夫 《劳拉原型》 元小说 元评论 虚构性 |
Magic Structure and Aesthetic Bliss:Metafiction Art in Nabokov's The Original of Laura |
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| Tan Huijuan.Magic Structure and Aesthetic Bliss:Metafiction Art in Nabokov's The Original of Laura[J].Zhejiang Social Sciences,2011(9). |
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| Authors: | Tan Huijuan |
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| Institution: | Tan Huijuan(School of International Studies,Zhejiang University,Hangzhou 310058) |
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| Abstract: | Metafiction art in post-modernism is clearly reflected in Nabokov's Lolita,Pale Fire and Ada and fully demonstrated in The Original of Laura,his posthumous novel.This article attempts to explore the metafictional feature in this novel from its structure,plot and language through a theoretical support from Deleuz's metacommentary,Roland Barthes's metalanguage and Nabokov's other works.It is concluded that Nabokov,as a genius writer,intended to expound his aspects of novels by constructing his last fiction,in... |
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| Keywords: | Nabokov The Original of Laura Metafiction Metacommentary Fictionality |
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