| 论《采莲》类乐府诗艳情色彩之成因 |
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| 引用本文： | 刘航.论《采莲》类乐府诗艳情色彩之成因[J].北京大学学报(哲学社会科学版),2007,44(5):67-71. |
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| 作者姓名： | 刘航 |
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| 作者单位： | 首都师范大学,中国诗歌研究中心,北京,100089 |
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| 基金项目： | 教育部人文社科基金项目（05JC750.11-44045）;北京市哲学社会科学“十一五”规划项目（06BaWY0009）. |
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| 摘 要： | 《棹歌》、《采菱》、《采莲》等乐府诗的艳情色彩一向非常突出,主要原因在于这些乐府诗的产生与祓禊有着千丝万缕的关联。水嬉是祓禊娱乐化的产物,泛舟游乐则是水嬉的主要形式之一。在泛舟游玩时,除了要歌舞助兴之外,采撷菱荷也是很常见的活动,这便是《棹歌》、《采莲》、《采菱》等一系列乐府诗滋生的土壤。无论是少女们靓妆而现并娇声宛转地倾吐着相思之情,还是诗人们对此进行浓墨重彩的描绘,皆出于水嬉的双重需要——祭祀和娱乐。
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| 关 键 词： | 《棹歌》 《采菱》 《采莲》 艳情 水嬉 |
| 文章编号： | 1000-5919（2007）05-0067-05 |
| 修稿时间： | 2007-01-12 |
On the Origin of the Popular Poetry Depicting Girlish Visage and Affection |
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| LIU Hang.On the Origin of the Popular Poetry Depicting Girlish Visage and Affection[J].Journal of Peking University(Humanities and Social Sciences),2007,44(5):67-71. |
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| Authors: | LIU Hang |
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| Institution: | Chinese Poetry Research Center, Capital Normal University, Beijing 100089 |
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| Abstract: | It is an outstanding phenomena that the popular poetry(for instance,Zhao-ge,Cai-lian and Cai-ling) usually depicts girlish visage and affection.The mostly reason is that there exited close relation between the coming into being of those popular poetry and Fu-xi(a kind of magic).Shui-xi(one game which related to water) is the result of Fu-xi evolving amusement.It is a sort of Shui-xi that people play on the water and amuse themselves.When people played on the water,as a rule,they would collect the flower or fruit of water chestnut and lotus as well as listen to song or look on dance.Above-mentioned circs gave rise to those popular poetry which include Zhao-ge,Cai-lian and Cai-ling. Whether maid dressed up and sang love song or poets depicted girlish visage and affection,they both were used to meet the double needs of Shui-xi which included fete and amusement. |
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