| “情”的张扬——论明末清初戏剧、小说的主情思潮 |
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| 引用本文： | 王星.“情”的张扬——论明末清初戏剧、小说的主情思潮[J].湖北师范学院学报(哲学社会科学版),2006,26(2):30-32. |
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| 作者姓名： | 王星 |
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| 作者单位： | 武汉大学文学院,武汉工程大学,政法系,湖北,武汉,430073 |
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| 摘 要： | 晚明以汤显祖、冯梦龙为代表的主情论,将情视为人生的根基,赋予情"人生不朽"的价值,提倡真情、至情,追求理想的有情之天下,对其时的文学创作带来了积极影响,又产生了消极影响,导致其时创作情欲的放荡横流.
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| 关 键 词： | 明末清初戏剧 小说主情论 |
| 文章编号： | 1009-4733(2006)02-0030-03 |
| 修稿时间： | 2005年10月22 |
The publicity of sentiments--on the sentiments -advocated ideological trend of the dramas and novels at the end of Ming and beginning of Qing dynasty |
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| WANG Xing.The publicity of sentiments--on the sentiments -advocated ideological trend of the dramas and novels at the end of Ming and beginning of Qing dynasty[J].Journal of Hubei Normal University(Philosophy and Social Science),2006,26(2):30-32. |
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| Authors: | WANG Xing |
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| Abstract: | This thesis studied the ideological connotation of sentiments - advocated ideolgy which was represented by Tang-Xianzu and Feng - Menglong . They regarded sentiments as the foundation of life because of their immortal valve. They advocated real sentiments and pursued perfect sentiments world. Their literary works had important influence on the literature history of that age. |
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| Keywords: | the dramas and novels at the end of Ming and beginning of Qing dynasty sentiments - advocated ideology |
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