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论赋话的渊源及其演进
引用本文:何新文,龚元秀.论赋话的渊源及其演进[J].湖北大学学报(哲学社会科学版),2008,35(1):91-96.
作者姓名:何新文  龚元秀
作者单位:湖北大学,文学院,湖北,武汉,430062;湖北大学,文学院,湖北,武汉,430062
基金项目:教育部人文社会科学规划项目
摘    要:赋话是一种近于诗话之漫谈随笔性质的赋学理论批评形式。赋话滥觞于汉魏六朝,唐宋以后则包容在诗话、四六话和笔记之中,一直到清代才最终走完了与诗话分离而独立发展的历程,成为文学批评的样式之一。在赋话的形成与发展过程中,笔记文体的影响,王铚、浦铣等人的贡献,尤其值得进一步的重视和研究。

关 键 词:赋话  文学批评  渊源  笔记  王铚  浦铣
文章编号:1001-4799(2008)01-0091-06
修稿时间:2006年10月13

On the Origin of the Chinese Rhapsody Note and Its Evolution
HE Xin-wen,GONG Yuan-xiu.On the Origin of the Chinese Rhapsody Note and Its Evolution[J].Journal of Hubei University(Philosophy and Social Sciences),2008,35(1):91-96.
Authors:HE Xin-wen  GONG Yuan-xiu
Abstract:Fu note is a Fu theory critical uniform which is similar to the informal essay and chatting characteristic of poem note in acient China.Fu note unfolded richly in Han Wei and Six dynasties Age.After Tang and Song dynasties,it was included in Poem note,Pian style article note and Note.Until Qing dynasty,Fu note finally became one uniform of literature critics,finishing the course breaking away from poem note and deyeloping independently.In this course,Note style's effect and some pelope like Wang zhi,Pu xian's contribution are especially worth advanced research and attention.
Keywords:Fu note  literature critics  origin  note  wang zhi  pu xian
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