| 大同观音堂明代琉璃三龙壁的艺术特色 |
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| 引用本文： | 张敏.大同观音堂明代琉璃三龙壁的艺术特色[J].山西大同大学学报（社会科学版）,2012(3):42-44. |
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| 作者姓名： | 张敏 |
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| 作者单位： | 广西艺术学院美术学院 |
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| 摘 要： | 山西省大同市素有龙壁之城的美称,龙壁数量众多,其中观音堂明代琉璃三龙壁不仅是古代建筑中的艺术奇葩,更是具有独立艺术价值的古代艺术珍品。分析大同明代琉璃三龙壁的艺术风格、壁面琉璃艺术的表现形式、龙纹图案的艺术样式等,以期较为完整细致地呈现出凝固在琉璃龙壁上的中国传统艺术精华,重新认识明代琉璃龙壁的艺术内涵及其应有的艺术地位和艺术价值,是美术工作者和地方文史工作者义不容辞的责任。
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| 关 键 词： | 三龙壁 明代 琉璃 龙纹 |
The Artistic Features of the Color Glaze Three-Dragon Wall Built in Ming Dynasty in Datong Guanyin Hall Temple |
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| ZHANG Min.The Artistic Features of the Color Glaze Three-Dragon Wall Built in Ming Dynasty in Datong Guanyin Hall Temple[J].Journal of Shanxi Datong University(Social Science Edition),2012(3):42-44. |
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| Authors: | ZHANG Min |
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| Institution: | ZHANG Min(School of Fine Arts,Guangxi Academy of Arts,Nanning Guangxi,530032) |
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| Abstract: | Datong,a city in Shanxi province and known as "The City of Dragon Walls",enjoys numerous dragon related walls,and the color glaze Three-Dragon Wall built in Ming Dynasty,a part of Guanyin Hall,is not only an artistic work in ancient Chinese architecture,but also a treasure with unique artistic values.This article analyzes the artistic styles,expression forms of the color glaze art,and artistic patterns of the dragon patterns,and elaborates on the artistic essence embodied in the walls.The re-discovery of the artistic connotations of the dragon wall and its artistic positions and values,is a responsibility that artists and historical workers should burden. |
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| Keywords: | The Three-dragon Wall Ming Dynasty color glaze dragon patterns |
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