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心手相应取象达意——略述中国写意人物画写生
引用本文:张葆冬.心手相应取象达意——略述中国写意人物画写生[J].集美大学学报(哲学社会科学版),2007,10(3):102-105.
作者姓名:张葆冬
作者单位:集美大学,艺术学院,福建,厦门,361021
摘    要:在中国写意人物画的写生过程中,随时需要注意客观物象之表达和启发主观艺术之表现的调整,同时在写生中还要激发"写意"的情怀。写意人物画无论写实、夸张、变形等都离不开基于表现对象的任务和由此而赋予的审美作用。因此,重造型、讲笔墨仍然是画好写意人物画的关键,而写意人物画的写生训练是实践这一关键永远不可或缺的功课。

关 键 词:写生  写意  中国人物画
文章编号:1008-889X(2007)03-102-04
修稿时间:2007年1月23日

Hand and Heart Express Mind——On Drawing Chinese Expressional Portrait
ZHANG Bao-dong.Hand and Heart Express Mind——On Drawing Chinese Expressional Portrait[J].Journal of Jimei University (Philosophy and Social Sciences),2007,10(3):102-105.
Authors:ZHANG Bao-dong
Abstract:In the process of drawing Chinese expressional portrait,the artist ought to pay attention to the coordination of painting between the image of objectivity and the expression of subjectivity,so as to stimulate their feelings.Not only in reality,but also in exaggeration or in transformation,expressional portrait is based on the object expressing and its aesthetic effect.It is essential of Chinese expressional portrait to be loyal to the object in portraying forms and structural method in the use of the brush;it is the key of Chinese expressional portrait to practice in painting.
Keywords:drawing  expression  Chinese expressional portrait
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