| 论诸宫调与南戏的关系 |
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| 引用本文： | 龙建国. 论诸宫调与南戏的关系[J]. 江西社会科学, 2003, 0(1): 65-69 |
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| 作者姓名： | 龙建国 |
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| 作者单位： | 江西财经大学,江西南昌,330013 |
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| 摘 要： | 诸宫调兴起于北宋中期,兴盛于金元之际,对南北曲影响极大。南戏的形成与诸宫调有着密切的联系。在音乐结构方面,南戏基本上承袭了诸宫调的常用曲式:一曲独用、一曲带尾在表演形式方面,二者也有许多相似或相同之处,如某些表演程序和主要伴奏乐器。
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| 关 键 词： | 诸宫调 南戏 关系 音乐结构 伴奏乐器 |
| 文章编号： | 1004-518X(2003)01-0065-05 |
| 修稿时间： | 2002-08-12 |
On the Relations between Zhu Gong Tune and South Opera |
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| Long Jianguo. On the Relations between Zhu Gong Tune and South Opera[J]. Jiangxi Social Sciences, 2003, 0(1): 65-69 |
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| Authors: | Long Jianguo |
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| Affiliation: | Long Jianguo |
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| Abstract: | Zhu Gong tune rose in the mid of Northern Song Dynasty and prevailed in the Jin and Yuan Dynasties,with a tremendous influence on North and South operas.The formation of South opera is closely associated with Zhu Gong tune. As to music structure, South opera basically inherited the common patterns of Zhu Gong:solo qu and one qu with a coda in the form of performance. There are also many similarities in performance procedure and major musical instrument accompaniment between the two. |
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| Keywords: | Zhu Gong tune South opera relations music structure musical instrument accompaniment |
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