| 论影视画面的审美特征 |
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| 引用本文： | 陈明选.论影视画面的审美特征[J].江南大学学报(人文社会科学版),2005,4(4):112-114. |
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| 作者姓名： | 陈明选 |
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| 作者单位： | 江南大学,师范学院,江苏,无锡,214122 |
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| 摘 要： | 影视艺术对创造者主体审美意识的表现是通过画面来实现的,影视形象负载着丰富而含蓄的意蕴信息,呈现着理性意识到的和没有意识到但客观上已具有的精神内容。一个画面就是一个特定环境氛围的生活反映,而一个不断运动着的连续画面就是创造者选择、提炼、加工了的一小段生活的现实性重现。影视艺术的审美特征就表现在它对画面视觉形象的创造上。
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| 关 键 词： | 影视艺术 画面造型 审美特征 |
| 文章编号： | 1671-6973(2005)04-0112-03 |
| 修稿时间： | 2004年4月30日 |
On the Aesthetic Characteristics of Movie-TV Frames |
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| CHEN Ming-xuan.On the Aesthetic Characteristics of Movie-TV Frames[J].Journal of Southern Yangtze University:Humanities & Social Sciences Edition,2005,4(4):112-114. |
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| Authors: | CHEN Ming-xuan |
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| Abstract: | The aesthetic consciousness of innovational subject is reflected by a series of Movie-TV frames in Movie-TV art. The Movie-TV images have abundant and implicit information and embody some spiritual contents, which include something known or unknown. A frame make a special world life, while a series of frames reappear a series of realistic world life of innovational subject reappear. The aesthetic characteristics of Movie-TV pictures is definitely reflected in its innovation of insight images. |
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| Keywords: | Movie-TV art modeling of frames Aesthetic characteristic |
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