| 喜剧电影美学中的幽默与滑稽——兼论新时期以来中国喜剧电影发展态势 |
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| 引用本文： | 任丽娜.喜剧电影美学中的幽默与滑稽——兼论新时期以来中国喜剧电影发展态势[J].湖北师范学院学报(哲学社会科学版),2009,29(1):18-20. |
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| 作者姓名： | 任丽娜 |
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| 作者单位： | 湖北师范学院,文学院,湖北,黄石,435002 |
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| 摘 要： | 幽默和滑稽作为基本审美范畴，自从20世纪80年代进入喜剧电影关学之后，对中国喜剧电影的研究和发展起到了重要作用。中国内地的喜剧电影以葛优为代表，其喜剧电影以幽默见长；中国香港的喜剧电影则以周星驰为代表，其喜剧风格则以滑稽为主。
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| 关 键 词： | 喜剧电影 幽默 滑稽 |
Humor and punniess in comedy film aesthetics |
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| REN Li-na.Humor and punniess in comedy film aesthetics[J].Journal of Hubei Normal University(Philosophy and Social Science),2009,29(1):18-20. |
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| Authors: | REN Li-na |
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| Institution: | Literary College;Hubei Normal University;Huangshi 435002;China |
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| Abstract: | As basic aesthetics category,humor and funniess,which entered comedy films aesthetics in 1980s,paly an important part in the research and development of Chinese comedy films.In mainland,the representive of comedy films is Ge You,whose films is mainly homorous,in Hong Kong,the representive is Zhou Xingchi,whose films is mainly cunny. |
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| Keywords: | comedy films homour funniess |
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