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无用之用——王国维审美功利说及其影响简论
引用本文:丁智才. 无用之用——王国维审美功利说及其影响简论[J]. 南华大学学报(社会科学版), 2005, 6(4): 81-83,107
作者姓名:丁智才
作者单位:广西师范学院,文学与传播传院,广西,南宁,530001
摘    要:审美和功利的矛盾是贯穿美学与文学始终的矛盾。作为中国近现代美学思想的发轫者,王国维在借鉴以康德等为代表的西方审美超利害说的基础上,结合中国社会的实际,糅进古老的诗教传统,形成了独特的审美功利主义。蔡元培、鲁迅和朱光潜等在这一思想的影响下,建立自己的美学世界,从而完成了中国古代美学向现代美学的嬗变。

关 键 词:审美  功利  审美功利主义  王国维  蔡元培  鲁迅  朱光潜
文章编号:1673-0755(2005)04-0081-03
修稿时间:2005-03-24

Useless Value--On the discourse upon utility in esthetic of Wang Guo-wei and its affects
DING Zhi-cai. Useless Value--On the discourse upon utility in esthetic of Wang Guo-wei and its affects[J]. Journal of Nanhua University(Social Science Edition), 2005, 6(4): 81-83,107
Authors:DING Zhi-cai
Abstract:The contradiction between esthetics and utility exists through the course of esthetics and literature. Under the foundation of western theory of disinterest that takes Kant as representative, Wang Guo-wei formed his unique esthetic utilitarianism combining with reality of the society of China. Under this Influence, scholar such as Cai Yuan-pei, Lu Xun and Zhu Guang-qian and so on establish their own esthetic theories and realize the conversion from Chinese traditional esthetics to modern ones.
Keywords:esthetic  utility  esthetic utilitarianism  Wang guo-wei  Cai Yuan-pei  Lu Xun  Zhu Guang-qian  
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