| 胡风主观战斗精神与创作主体的哲学美学阐释 |
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| 引用本文： | 陈建文.胡风主观战斗精神与创作主体的哲学美学阐释[J].北京社会科学,2004,3(2):46-52. |
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| 作者姓名： | 陈建文 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 胡风的以主观战斗精神为核心范畴的文艺思想有其哲学和美学基础。这种哲学美学基础的形成既有着复杂的自身历史文化和现实社会的背景 ,也有着作为理论话语资源上的复杂的理论背景。但胡风确实又力图根据马克思主义经典作家的有关思想来理解文艺的哲学和美学问题。本文通过考察胡风关于作为主体的人的论述和作为创作主体的艺术家的论述 ,对他的主观战斗精神与创作主体的观点进行哲学和美学的阐释。
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| 关 键 词： | 胡风 主观战斗精神 创作主体 现实主义 |
| 文章编号： | 1002-3054(2004)02-0046-07 |
| 修稿时间： | 2004年2月12日 |
A Philosophical and Aesthetic Interpretation to HuFeng's Subjective Fighting Spirit and Creative Subjective |
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| CHEN Jian-wen.A Philosophical and Aesthetic Interpretation to HuFeng's Subjective Fighting Spirit and Creative Subjective[J].Social Science of Beijing,2004,3(2):46-52. |
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| Authors: | CHEN Jian-wen |
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| Abstract: | The literature and art thought of HuFeng that based on the core concept of subjective fighting spirit has its philosophical and aesthetic basement.The formation of this basement has complicated social,historical and cultural background,and complicated theoretical discourse background.However,HuFeng tried to understand the literature and art problem from the viewpoint of classic authors of Marxism.This essay gives a philosophical and aesthetic interpretation to HuFeng's subjective fighting spirit and creative subjective from his understanding to human being as subjective and writer as creative subjective. |
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| Keywords: | subjective fighting spirit creative subjective realism interpretation |
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