| 隋、唐燕乐的兴盛对中国民族音乐发展的启示 |
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| 引用本文： | 吴曾林. 隋、唐燕乐的兴盛对中国民族音乐发展的启示[J]. 佛山科学技术学院学报(社会科学版), 2004, 22(3): 83-85 |
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| 作者姓名： | 吴曾林 |
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| 作者单位： | 广东女子职业技术学院,广东,广州,511450 |
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| 摘 要： | 隋、唐燕乐兴盛,佐证了"中国民族音乐是以黄河流域为中心的中原音乐和四域音乐以及外国音乐交流融合形成和发展起来的,是汉族音乐文化与少数民族文化、外国音乐文化相互交融,衍生发展"的轨迹。因而坚持保护和继承民族音乐,培养高素质的民族音乐人才是民族音乐发展的根本出路。
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| 关 键 词： | 民族音乐 继承 融合 教育 发展 |
| 文章编号： | 1008-018X(2004)03-0083-03 |
| 修稿时间： | 2004-03-12 |
The Enlightenment of Sui and Tang Music Boom and its Impact on Chinese National Music Development |
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| WU Zeng-lin. The Enlightenment of Sui and Tang Music Boom and its Impact on Chinese National Music Development[J]. Journal of Foshan University(Social Science), 2004, 22(3): 83-85 |
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| Authors: | WU Zeng-lin |
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| Abstract: | The boom of Sui and Tang music proves that Chinese national music formed and developed from the immersion of Zhongyuan Music, which centered in the Yellow River regions, the surrounding areas' music and foreign music. It is the mixture of the Han nationality's music culture , the minorities' culture and foreign musical culture. So the development of national music should be based on its protection and inheritance and cultivating high-quality talents in national music. |
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| Keywords: | national music inheritance immersion education development |
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