华语电影中的地域转移与空间叙事——大陆、香港、台湾电影改编中的地域比较研究

尽管大陆电影空间在《黄土地》等一批先锋之作中经历了从具实到抽象的过程,形成了扩张的文化隐喻,但是空间的传统经验却陷入了影像表达的悖论;游弋出大陆的香港电影始终将地域空间限定在城市想象的自我比附,或隐或显地出现了一种"双城"现象。张爱玲作品在香港颇受导演青睐,个中原因在于其作品铭记着"双城"(上海/香港)的空间体验。如果说大陆电影的空间有一种外向性,那么身处后现代文化中的台湾电影逐渐排除了整体的空间感,缩小地域、社会空间,出现了一种内倾的迹象。从深层的文化心理上说,这恰恰是两岸三地在西方文化触发后,民族文化记忆的不同苏醒。

The Zone Transferring and Space Narrating in Chinese Films——"The Comparative Study of the Films" Adapting in Mainland, Hong Kong and Taiwan

Although the films in mainland went through the process from the concrete to the abstract,and formed the expanded cultural metaphor,the space traditional experience fell into a paradox of image expressing.But the films in Hong Kong always made the zone space limit the self-farfetched comparasion,and formed a kind of phenomenon "Double Cities".The films in Taiwan during the post-modern culture gradually eliminated the whole space feeling, it appeared a kind of phenomenon of "Inner Inclination."We can say that it is the revival evidence of national culture.