阿本之争:艺术的整合与颠覆

随着现代性获得精准轮廓,机器之眼透视人文脚本,机械复制的浪潮刷新了艺术生产和接受的方式及其功能本身,围绕着这一场域下自律艺术的生存转向,本雅明敏锐地捕捉到技术的启蒙特质并深刻挖掘其背后蕴藏的革命潜力,意图通过艺术政治化实现对法西斯战争美学的批判及资本主义制度的颠覆;阿多诺从文化工业意识形态理论出发,指出机械复制技术完全为资本和交换逻辑所操控。虚假性满足、物化和拜物教的泛滥实现了资本主义自上而下对大众的欺骗与整合。本雅明与阿多诺的理论交锋奠定了其后西方马克思主义文化研究的视域和基点,并揭示出其革命与解放理论深度发展中所面临的困境及挑战。

Conflict Between Adorno and Benjamin:On the Integration and Subversion of Art

While the modernity gains a precise outline,the wave of mechanical reproduction has refreshed the art production and acceptable way.Centering on the transformation of self-disciplined art in this field,Benjamin keenly captured the enlightenment characteristics of technology and deeply tapped the revolutionary potential behind it,intending to criticize the fascist war aesthetics and overthrow the capitalist system through the politicization of art.The theoretical confrontation between Benjamin and Adorno laid the perspective and basis of the study of western marxist culture,and revealed the difficulties and challenges in the in-depth development of the theory of revolution and liberation.