| 论动词词性与审美距离的关系 |
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| 引用本文： | 张家波.论动词词性与审美距离的关系[J].湛江师范学院学报,2012,33(4):32-34. |
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| 作者姓名： | 张家波 |
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| 作者单位： | 湛江师范学院人文学院,广东湛江,524048 |
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| 摘 要： | 审美距离与化静为动是文艺美学上两个重要的问题。这两个问题和动词的词性之间有何关系?研究发现,动词词性决定了动词拥有的审美距离感比名词要近。通过巧妙利用动词,调取最佳的审美距离,会产生更好的审美效果。这也是"化静为动"这一美学手法能产生神奇的审美效果的重要原因。
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| 关 键 词： | 动词词性 审美距离 化静为动 |
The Relationship Between the Verb and the Aesthetic Distance |
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| ZHANG Jiabo.The Relationship Between the Verb and the Aesthetic Distance[J].Journal of Zhanjiang Normal College,2012,33(4):32-34. |
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| Authors: | ZHANG Jiabo |
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| Institution: | ZHANG Jiabo(Zhanjiang Normal College,Zhanjiang 524048,Guangdong,China) |
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| Abstract: | Aesthetic distance and aesthetic issue "from static to dynamic" air two important problems in aesthetics of literature and art.What is the relationship between verbs and those two issues? The article thinks the verb has decided the aesthetic distance rather than the nouns.Therefore,we can,through using verbs skillfully,obtain the best aesthetic distance and have a better aesthetic effect.At the same time,it is also the main reason from static to dynamic. |
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| Keywords: | verb aesthetic distance change from static to dynamic |
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