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同类形象异样情——中国戏曲与西方戏剧中的鬼魂形象表现模式之比较
引用本文:黄水霞.同类形象异样情——中国戏曲与西方戏剧中的鬼魂形象表现模式之比较[J].肇庆学院学报,2008,29(1):11-15.
作者姓名:黄水霞
作者单位:肇庆学院,外国语学院,广东,肇庆,526061
摘    要:鬼魂形象是人类艺术创作中一种十分特殊的表现形态,它广泛地存在于文学艺术中,与西方戏剧、中国戏曲也有着深广的文化因缘。通过对中国戏曲与西方戏剧中的鬼魂形象表现模式的具体解析与比较,发掘鬼魂形象艺术上的独特魅力以及中国戏曲不同于西方戏剧的艺术价值和文化意蕴。

关 键 词:中国戏曲  西方戏剧  鬼魂形象
文章编号:1009-8445(2008)01-0011-05
修稿时间:2007年10月20

Identical Image,Different Culture——A Comparasion on Performance Mode of Ghost Between Chinese Opera and Western Drama
HUANG Shuixia.Identical Image,Different Culture——A Comparasion on Performance Mode of Ghost Between Chinese Opera and Western Drama[J].Journal of Zhaoqing University (Bimonthly),2008,29(1):11-15.
Authors:HUANG Shuixia
Institution:HUANG Shuixia (Faculty of Foreign Languages, Zhaoqing University,Guangdong Zhaoqing 526061 ,China)
Abstract:The ghost-or-soul image is a very special performing appearance in the creation of mankind arts, which exists widely in Literature Arts and also has profound predestined relationship with Chinese Traditional Opera and Western Drama. Analyzing and comparing the performance mode of the ghost-or-soul image, it is aimed to explore its unique artistic charm as well as differentiating artistic value and culture meaning between Chinese Traditional Opera and Western Drama.
Keywords:Chinese Opera  Western Drama  ghost-or-soul image
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