| 论中国古代建筑的造型 |
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| 引用本文： | 王耘. 论中国古代建筑的造型[J]. 东北师大学报(哲学社会科学版), 2010, 0(1) |
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| 作者姓名： | 王耘 |
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| 作者单位： | 苏州大学文学院,江苏,苏州,215123 |
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| 基金项目： | 国家社科基金后期资助项目(09FZX013) |
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| 摘 要： | 与对宇宙图形的想象紧密关联,中国古人的知觉习惯中,方是最主要的建筑造型。西方建筑中的方围绕中心展开;中国古代建筑中的方则是一种四方概念的系统化结果。中国古代建筑实际上塑造出的是一个四方聚合的复杂系统,是一种生态美学的选择。
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| 关 键 词： | 建筑 方 造型 |
China's Ancient Architecture's Modeling |
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| WANG Yun. China's Ancient Architecture's Modeling[J]. Journal of Northeast Normal University(Social Science), 2010, 0(1) |
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| Authors: | WANG Yun |
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| Affiliation: | College of Liberal Arts;Soochow University;Suzhou 215123;China |
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| Abstract: | Closely related to the imagination due to the Universe graphics square was the main modelling in architecture in ancient China.In western architecture square spreads around the center,whereas in ancient China's architecture square was the result of a systematic conception of four directions.In fact China's ancient architecture modelled a complicated system of aggregation of four directions,which was an ecological aesthetic choice. |
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| Keywords: | architecture square modelling |
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