走向诗意的灵动性--20世纪后20年小说语言论之三

对灵动性的追求是小说语言走向诗化的一个重要途径。进入 ２０世纪 ８０年代,小说语言在诗化的过程中呈现出前所未有的灵动性。如果说汪曾祺的小说语言是在和谐的美学理想的统率下营造诗的氛围,在“和谐”的氛围中飘动着一股士大夫式的淡雅、闲适与飘逸之气,显示出特有的灵动性,那么贾平凹、阿城、莫言、何立伟等人则是在语言的锤炼中酿造着诗意,闪现出灵动之美。

Toward the Poetic Flavor of the Language of Fictions in the Last 20 Years of 20th Century by the Intelligence

Abstract: To seek the intelligence is an important way to the poetic flavor of the language offictions. The language of fictions has showed an unprecedented intelligence during its poeticflavor since 80s of the 20th century. The language of WANG Zeng-qi's stories builds theatmosphere of poetry under the leader of harmony aesthetics ideal and sends out the smell ofliterati's elegant leisure. So the intelligence is made in WANG's language. JIA Ping-wa, ACheng, MO Yan and HE Li-wei build the poetic flavor when they refine upon the wordingand phrasing. And their language shows the aesthetics of the intelligence.