| 拉康主体理论解析 |
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| 引用本文： | 张兵. 拉康主体理论解析[J]. 西安电子科技大学学报(社会科学版), 2009, 19(6): 93-99 |
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| 作者姓名： | 张兵 |
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| 作者单位： | 西安交通大学,人文学院,陕西,西安,710049;第四军医大学,社科部,陕西,西安,710032 |
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| 摘 要： | “我是谁”指向的是人关于自我身份的认同危机，作为事件的挑起者，后现代分子提供的激进回答更把人带入了“不知此身是何身”的境地。借助拉康的主体解析，我们能够很清楚地看到在貌似错乱之语的后现代宣言中所包含的“主体”概念自身的某种根本的、令人惊讶的变化，这种变化揭示了“我”的错综复杂的身份——“我是他人”。
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| 关 键 词： | 镜像阶段 大他者话语 能指转换 无意识主体 |
Analysis of Lacanian Theory of Subject |
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| ZHANG BING. Analysis of Lacanian Theory of Subject[J]. Journal of Xidian University (Social Sciences Edition), 2009, 19(6): 93-99 |
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| Authors: | ZHANG BING |
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| Affiliation: | ZHANG BING (1.School of Humanities and Social Sciences, Xi ＇an Jiao tong University, Xi ＇an, 710049, China, 2.Department of Social Sciences, Fourth Military Medical University, Xi ＇an, 710032, China) |
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| Abstract: | ＂Who am I＂ reflects the identity crises of people. As the agent provocateur, postmodernists provide radical answers which put people into the situation of ＂Not knowing what body is this body＂. By the analysis of Lacanian Theory of Subject, we can see clearly that, in post-modem manifesto which is seemingly garbled words, ＂Subject＂ has some fundamental and surprising change. Also this change reveals the reticula identity of＂I＂, which is ＇Tm others＂. |
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| Keywords: | Mirror Stage the Other＇s Discourse the shift of signifier the subject of unconscious |
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