| 从泼寒胡到苏幕遮--泼寒胡戏在中原地区流变的几个阶段 |
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| 引用本文： | 王凤霞.从泼寒胡到苏幕遮--泼寒胡戏在中原地区流变的几个阶段[J].广州大学学报(社会科学版),2005,4(3):11-15. |
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| 作者姓名： | 王凤霞 |
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| 作者单位： | 广州大学,人文学院,广东,广州,510405 |
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| 摘 要： | 泼寒胡戏入华经历了胡人献演、上层提倡、一时盛行、开元被禁、天宝改名等几个阶段.在这几个阶段里泼寒胡戏的性质发生了一系列的变化.它由引入初的"胡人演"变为"演胡人、胡俗",然后又经过改造融入到中华文化.这几个阶段反映了泼寒胡戏与中原文化的交流、碰撞、摩擦与融合的过程.
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| 关 键 词： | 泼寒胡戏 苏幕遮 浑脱 文化交流 融合 |
| 文章编号： | 1671-394X(2005)03-0011-05 |
| 修稿时间： | 2004年11月29 |
From Po-han singing-and-dancing to Sumuzhe--variations of Po-han singing-and-dancing in China |
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| WANG Feng-xia.From Po-han singing-and-dancing to Sumuzhe--variations of Po-han singing-and-dancing in China[J].Journal of Guangzhou University(Social Science Edition),2005,4(3):11-15. |
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| Authors: | WANG Feng-xia |
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| Abstract: | Po-han singing-and-dancing has undergone several stages in which its nature has changed greatly ever since it was first introduced to China from Western Areas. From foreigners' performance to performing foreigners and their customs, and then Po-han singing-and-dancing was forbidden and Sumuzhe survived. The changes of Po-han singing-and-dancing in China show conflict and blending of different cultures. |
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