| 解读古代中国的“忧郁感” |
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| 引用本文： | 顾彬,肖鹰.解读古代中国的“忧郁感”[J].清华大学学报(哲学社会科学版),2004(3). |
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| 作者姓名： | 顾彬 肖鹰 |
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| 作者单位： | 波恩大学汉学系，清华大学人文社会科学学院艺术教育中心 波恩 德国，教授 |
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| 摘 要： | 文章以范仲淹《岳阳楼记》等中国古代文献为主要对象,讨论在中国古代文化中,“忧”、“愁”和“忧患意识”等概念的文化内含,及其与现代西方文化中相关概念的差异。作者的主要观点是:“忧郁”(melancholy)是西方文化进入现代历史运动中的产物,科学的发展和人与宗教的分裂是忧郁产生的两个基本根源;尽管古代中国有这些情感色彩相近于“忧郁”的概念,但由于中国封建文化的独特背景,它未具有现代性文化内含的“忧郁”观念。
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| 关 键 词： | 古代中国 现代西方 忧郁 |
What Does It Mean to Feel "Melancholic" in Imperial China |
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| Wolfang Kubin.What Does It Mean to Feel "Melancholic" in Imperial China[J].Journal of Tsinghua University(Philosophy and Social Sciences),2004(3). |
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| Authors: | Wolfang Kubin |
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| Institution: | Wolfang Kubin Department of Chinese Bonn University Bonn Germany |
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| Abstract: | Abstract: This paper deals with such Chinese concepts as you, chou and youhuan
in Imperial China and compares them to the notion of melancholy in Europe. Though there might
some traditional Chinese concepts come close to Western melancholy, there was never a term in Imperial
China that can be referred to its modern meaning in the West. |
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| Keywords: | modern China modern western melancholy |
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